Fotocopia "Notes on World Beat", Seten Feld, 4 páginas; Fotocopia "World Music mining- The international trade in the new music", Rick Glanvill, 10 páginas; Fotocopia "World beat and the cultural imperialism debate", Andrew Goodwin and Joe Gore, 1990, 10 páginas; Fotocopia "Paul Simons's Graceland, South Africa, and the mediation of musical meaning", Louise Meintjes, 37 págs; Fotocopia "The politics and Aesthetics of Transnational Musics", Velt Erlmann, 15 págs; Fotocopia "On Redefining the 'local' through world music", Jocelyne Guilbault, 8 páginas; Fotocopia "A view from the south: Spanish Caribbean perspectives on world beat", Deborah Pacini Hernández, 11 páginas; 4 fotocopias introducción del libro "The virgin directory of World Music". Philip Sweeney, 1991, 10 páginas; Fotocopia "Introduction", Jan Fairley, 2 páginas; Copia mecanogafiada "Intro in Garofalo", 1992, 12 págs; Fotocopia "The music industry and the 'cultural imperialism' thesis", Dave Laing, 1986, 12 páginas; Fotocopia libro "The last post. Music after modernism", Simon Miller, 1993, 87 págs; Fotocopia artículo "Intro in Garofalo", Reebee Garofalo, 1992, 12 págs; Fotocopia "Paul Simons's Graceland, South Africa, and the mediation of musical meaning", Louise Meintjes, 37 págs; 2 fotocopias de "Notes on World beat", Steven Feld, 8 páginas; Fotocopia "World beat and the cultural imperialism debate", Andrew Goodwin amd Joe Gore, 1990, 10 páginas; Fotocopia "Whose wolrd, what beat: The transnational music industry, identity, and cultural imperialism", Reebee Garofalo, 1993, 8 páginas; Fotocopia libro "Globalisation and the third world", Ray Kiely y Phil Marfleet, 23 páginas; Fotocopia libro "The last post. Music after modernism", Simon Miller, 1993, 19 páginas; Fotocopia "The/an ethnomusicologist and the record business", Hugo Zemp, 11 páginas; Fotocopia "The music industry and the 'cultural' imperialism" Dave Ling, 1986, 6 páginas; Fotocopia "Mediaion of grooves. Notes on 'world beat'", 6 páginas; Fotocopia "World beat and the cultural imperialism debate", Andrew Goodwin and Joe Gore, 1990, 10 páginas; Fotocopia "Intro in Garafalo", Reebee Garafolo, 1992, 12 págs; Fotocopia "Micromusics of the west: A comparative approach", Mark Slobin, 1992, 44 páginas; Fotocopia "We are the world. State music policy, and cultural imperialism", 10 páginas; Fotocopia "Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning", Louise Meintjes, 1990, 36 páginas; Fotocopia "Poverty and development in the 1990s", Tim Allen y Alan Thiomas, 21 páginas.